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OK, How Much Does Gretchen Mol Suck on Life On Mars?
Liz White, Annie on the original UK version of Life On Mars, doesn’t get enough credit for her contribution to that show. After all, she probably had the toughest part to play as Sam Tyler’s love interest, sparring partner, and sole confidante. She was the warm Earth mother, a feminist silenced by the chauvinism of her male co-workers, a dedicated team player, and a skilled, tough cop. White played these contradictions effortlessly because she’s a real actress.
Ever wonder why, despite the efforts of Vanity Fair to hype her, Gretchen Mol (above) never became a star? Last night was Exhibit A. Maybe the producers of the American Life on Mars went for empty eye candy, convinced that U.S. audiences couldn’t handle a real actress in the role. But Mol’s a cipher. Weaker than ice water. The kind of actress you have to lean into the screen to hear speak even when the volume is blasting. She’s a big example of what’s wrong with the remake.
John Simm and Liz White
The actors are far inferior to their British counterparts. As f**kable as Jason O’Mara is, he doesn’t come close to the intelligence, soul, and sensitivity John Simm brought to Sam Tyler. (When you’re in every scene of a show, and you spend half the time screaming like a crazy person, you’d better have an interesting internal life that you can communicate to the audience. O’Mara is all huff and puff.) Harvey Keitel is menacing, yes, but the role of Gene Hunt – king of the jungle – simply requires someone physically imposing. Like Philip Glenister. Remember the boyish charm Marshall Lancaster immediately brought to the character of Chris Skelton? Now think back to last night’s show: do you even remember the face of the actor who played Chris? (His name is Jonathan Murphy).
Everything in last night’s premiere felt so slapdash. The 2008 story was rushed through, causing the shift to 1973 to lose its impact. The 1973 reveal, so grand and emotional in the original with that wonderful 360-degree pan, fell flat. (The appearance of the Twin Towers was an anti-climax.)
OK, even though the show is almost a shot-by-shot, word-for-word copy of the UK version, we know certain things had to be cut due to the shortened U.S. clock. But, unfortunately, the depth and character of the original are what have been left on the cutting room floor.
The show did win its time slot over Eleventh Hour and ER, which I suppose is an encouraging sign. Let’s see if there’s any time to right this ship. I’m not entirely hopeful.
In other news: