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American Stars Don’t Shine in British Theater, Says UK Playwright
Kevin Spacey is one of the few American stars who can project his voice in the theater, says UK playwright Sir Alan Ayckbourn to The Times. But most London-bound Hollywood stars don’t know the first thing about stage acting – and he thinks it’s killing British theater. He goes on:
Yeah, we all know the stars who go to the West End to pad their resumes. It’s far enough away from their Hollywood critics to avoid the stench of failure if they bomb, yet it still lends them a bit of cachet. But British theater faces an even more insidious enemy–the reality TV and soap stars who are cast more for their notoriety than fortheir acting ability:
Also, recall that Tamsin Greig (Black Books, Green Wing, Love Soup) received sterling reviews for her performance in Much Ado About Nothing, and Connie Fisher, a reality show winner, has given Julie Andrews a run for her money as The Sound of Music‘s definitive Maria. But what Ayckbourn should fear is the West End becoming a place where old Hollywood stars go to die, literally and figuratively. For example, Jessica Lange prepares to take her critically decried Broadway role in The Glass Menagerie to the West End and chats with The Independent about it.
Meanwhile, British theater directors are finding the transition to Hollywood filmmaking quite easy. There’s been Sam Mendes, Stephen Daldry, Roger Michell, and now Richard Eyre, who directed the Oscar-nominated Notes on a Scandal, starring Judi Dench and Cate Blanchett. Eyre is interviewed in The Daily Telegraph about the unique extravagances of making movies:
I haven’t seen Notes on a Scandal, but it looks like a campy hoot. Dame Judi Dench and Cate Blanchett in a knockdown, dragout catfight? Ice queen Blanchett schtupping studly students? I’m so there.
In other news: